#YOUTUBE STAR WARS EPISODE 9 HOW TO#
The lessons he’s learned in doing this, for everything from franchise histories of the Atlanta Falcons and Seattle Mariners to the rise of MMA fighting and the deeds of players named Bob across all modern sports, has given Bois and Rubenstein a keen sense of how to imbue all those polygons with emotion.
#YOUTUBE STAR WARS EPISODE 9 SOFTWARE#
“I turn off all the terrain layers, make it completely flat, get a PNG file that’s solid black, 100 by 100 pixels, and stretch it out over the entire planet, and then all of a sudden we’ve got this blank canvas, and on that canvas the software lets you drop image files, build polygons, and turn those polygons into more sophisticated polygons,” Bois said. “The History of the Minnesota Vikings” Screenshot/YouTube And the deliberately constrained look of Bois’ work pushes Google Earth to the limits of its functionality.
However, he uses the same visual language to capture all aspects of the Vikings’ history seeing the team’s quest for a championship rendered as a purple bar that stretches into the thermosphere contains more pathos in an image than any talking head or game footage could articulate. “And I think people are kind of along for the ride.” “It looks incredibly cheap, which is a joke I think we play into,” Bois told IndieWire’s Filmmaker Toolkit podcast. Bois doesn’t have to give Stonebreaker’s stunt the dignity of more than a few basic polygons with a lot of Z-fighting (a phenomenon that can make CG objects look jittery or flickering). It’s something that Secret Base, an evolution of SB Nation’s YouTube channel into a number of shows that explore the limits of sports documentaries including “Beef History,” “Weird Rules” and Bois’ own “Dorktown” project, has been doing for years now. Rendering football, that most corporate-packaged of American sports, without any of its usual bombastic orchestral intro music or heroic quarterback tropes, allows Bois to emphasize the weirdness, wonder, folly, and humanity in his subjects. Ahsoka does, too, but she was far too unbalanced before her final lesson with her long-gone master.Angelica Ross Alleges Ryan Murphy Ignored Her After All-Black ‘American Horror Story’ Season Idea Ezra had a natural ability to connect with other creatures through the Force. However, if she hadn't gone into the World Between Worlds to learn her final lesson, the plan wouldn't have worked. This is the most obvious way to get Ahsoka to the other galaxy. Instead, they were carted away by the hyperspace-jumping purrgil themselves. However, neither Ezra Bridger nor Grand Admiral Thrawn needed some multi-hyperdrive behemoth of a starship to get there. While fans were likely eager to see Ahsoka reunite with Huyang, Hera and Jacen, it left her with no clear way to follow the Eye of Sion ship.
Instead, she ended up right back in the water and might have perished had Jacen Syndulla not tapped into his nascent Force abilities. Given how the World Between Worlds works, fans likely thought that when Ahsoka emerged from that mystical space, she'd exit close to her destination. Without the ship, the characters believe Ahsoka Tano cannot follow them, except there is still one obvious way someone with her abilities could do it: the purrgil. Still, while the titular hero was there, the Eye of Sion ship left with Morgan Elsbeth, Baylon Skoll and Sabine Wren for the galaxy Ezra and Grand Admiral Thrawn disappeared to at the end of Star Wars: Rebels. Fans were excited by the return of the World Between Worlds and Hayden Christensen's (digitally de-aged) Anakin Skywalker in Ahsoka.
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